m i c r o b a t d y n a m o
  • January 31st
    ZOMGscience.net
Not just a funny website about science, this is possibly the funniest fucking website concerning science I’ve ever read. ZOMGscience.net
Not just a funny website about science, this is possibly the funniest fucking website concerning science I’ve ever read.

    ZOMGscience.net

    Not just a funny website about science, this is possibly the funniest fucking website concerning science I’ve ever read.

  • November 23rd
    14 notes
    Source
    towerofsleep:

Shoveling pirated DVDs in Taiyuan, Shanxi province, China, April 20, 2008. From here.
Hito Steyerl, In Defense of the Poor Image / Journal / e-flux
The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, a thumbnail, an errant idea, an itinerant image distributed for free, squeezed through slow digital connections, compressed, reproduced, ripped, remixed, as well as copied and pasted into other channels of distribution.
The poor image is a rag or a rip; an AVI or a JPEG, a lumpen proletarian in the class society of appearances, ranked and valued according to its resolution. The poor image has been uploaded, downloaded, shared, reformatted, and reedited. It transforms quality into accessibility, exhibition value into cult value, films into clips, contemplation into distraction. The image is liberated from the vaults of cinemas and archives and thrust into digital uncertainty, at the expense of its own substance. The poor image tends towards abstraction: it is a visual idea in its very becoming. 
The poor image is an illicit fifth-generation bastard of an original image. Its genealogy is dubious. Its filenames are deliberately misspelled. It often defies patrimony, national culture, or indeed copyright. It is passed on as a lure, a decoy, an index, or as a reminder of its former visual self. It mocks the promises of digital technology. Not only is it often degraded to the point of being just a hurried blur, one even doubts whether it could be called an image at all. Only digital technology could produce such a dilapidated image in the first place. 
Poor images are the contemporary Wretched of the Screen, the debris of audiovisual production, the trash that washes up on the digital economies’ shores. They testify to the violent dislocation, transferrals, and displacement of images—their acceleration and circulation within the vicious cycles of audiovisual capitalism. Poor images are dragged around the globe as commodities or their effigies, as gifts or as bounty. They spread pleasure or death threats, conspiracy theories or bootlegs, resistance or stultification. Poor images show the rare, the obvious, and the unbelievable—that is, if we can still manage to decipher it.
towerofsleep:

Shoveling pirated DVDs in Taiyuan, Shanxi province, China, April 20, 2008. From here.
Hito Steyerl, In Defense of the Poor Image / Journal / e-flux
The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, a thumbnail, an errant idea, an itinerant image distributed for free, squeezed through slow digital connections, compressed, reproduced, ripped, remixed, as well as copied and pasted into other channels of distribution.
The poor image is a rag or a rip; an AVI or a JPEG, a lumpen proletarian in the class society of appearances, ranked and valued according to its resolution. The poor image has been uploaded, downloaded, shared, reformatted, and reedited. It transforms quality into accessibility, exhibition value into cult value, films into clips, contemplation into distraction. The image is liberated from the vaults of cinemas and archives and thrust into digital uncertainty, at the expense of its own substance. The poor image tends towards abstraction: it is a visual idea in its very becoming. 
The poor image is an illicit fifth-generation bastard of an original image. Its genealogy is dubious. Its filenames are deliberately misspelled. It often defies patrimony, national culture, or indeed copyright. It is passed on as a lure, a decoy, an index, or as a reminder of its former visual self. It mocks the promises of digital technology. Not only is it often degraded to the point of being just a hurried blur, one even doubts whether it could be called an image at all. Only digital technology could produce such a dilapidated image in the first place. 
Poor images are the contemporary Wretched of the Screen, the debris of audiovisual production, the trash that washes up on the digital economies’ shores. They testify to the violent dislocation, transferrals, and displacement of images—their acceleration and circulation within the vicious cycles of audiovisual capitalism. Poor images are dragged around the globe as commodities or their effigies, as gifts or as bounty. They spread pleasure or death threats, conspiracy theories or bootlegs, resistance or stultification. Poor images show the rare, the obvious, and the unbelievable—that is, if we can still manage to decipher it.

    towerofsleep:

    Shoveling pirated DVDs in Taiyuan, Shanxi province, China, April 20, 2008. From here.

    Hito Steyerl, In Defense of the Poor Image / Journal / e-flux

    The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, a thumbnail, an errant idea, an itinerant image distributed for free, squeezed through slow digital connections, compressed, reproduced, ripped, remixed, as well as copied and pasted into other channels of distribution.

    The poor image is a rag or a rip; an AVI or a JPEG, a lumpen proletarian in the class society of appearances, ranked and valued according to its resolution. The poor image has been uploaded, downloaded, shared, reformatted, and reedited. It transforms quality into accessibility, exhibition value into cult value, films into clips, contemplation into distraction. The image is liberated from the vaults of cinemas and archives and thrust into digital uncertainty, at the expense of its own substance. The poor image tends towards abstraction: it is a visual idea in its very becoming.

    The poor image is an illicit fifth-generation bastard of an original image. Its genealogy is dubious. Its filenames are deliberately misspelled. It often defies patrimony, national culture, or indeed copyright. It is passed on as a lure, a decoy, an index, or as a reminder of its former visual self. It mocks the promises of digital technology. Not only is it often degraded to the point of being just a hurried blur, one even doubts whether it could be called an image at all. Only digital technology could produce such a dilapidated image in the first place.

    Poor images are the contemporary Wretched of the Screen, the debris of audiovisual production, the trash that washes up on the digital economies’ shores. They testify to the violent dislocation, transferrals, and displacement of images—their acceleration and circulation within the vicious cycles of audiovisual capitalism. Poor images are dragged around the globe as commodities or their effigies, as gifts or as bounty. They spread pleasure or death threats, conspiracy theories or bootlegs, resistance or stultification. Poor images show the rare, the obvious, and the unbelievable—that is, if we can still manage to decipher it.

  • October 6th
    160 notes
    Source
                                          [M Y  S E C R E T  D A Y  O F F]
fuckyeahbats:

via ihadtoomuchtodream: jackcaturio on flickr
                                      [M Y  S E C R E T  D A Y  O F F]
fuckyeahbats:

via ihadtoomuchtodream: jackcaturio on flickr

                                          [M Y  S E C R E T  D A Y  O F F]

    fuckyeahbats:

    via ihadtoomuchtodream: jackcaturio on flickr

  • September 14th
    “Hay fever sufferers can now see the face of their invisible enemy - thanks to    these Scanning Electron Microscope images of pollen grains. A Swiss    scientist named Martin Oeggerli, who uses the name Micronaut for his art,    uses a Scanning Electron Microscope in his cellar to capture images of    pollen grains. This picture shows a higher magnification of forget-me-not pollen on a petal.” “Hay fever sufferers can now see the face of their invisible enemy - thanks to    these Scanning Electron Microscope images of pollen grains. A Swiss    scientist named Martin Oeggerli, who uses the name Micronaut for his art,    uses a Scanning Electron Microscope in his cellar to capture images of    pollen grains. This picture shows a higher magnification of forget-me-not pollen on a petal.”

    “Hay fever sufferers can now see the face of their invisible enemy - thanks to these Scanning Electron Microscope images of pollen grains. A Swiss scientist named Martin Oeggerli, who uses the name Micronaut for his art, uses a Scanning Electron Microscope in his cellar to capture images of pollen grains. This picture shows a higher magnification of forget-me-not pollen on a petal.”

  • September 11th
    312 notes
    Source
    proofmathisbeautiful:

un:

(via smoot:hol-on:buddhabrot:commondense:thouart-that)
~TyrantWave

proofmathisbeautiful:

un:

(via smoot:hol-on:buddhabrot:commondense:thouart-that)
~TyrantWave

    proofmathisbeautiful:

    un:

    (via smoot:hol-on:buddhabrot:commondense:thouart-that)

    ~TyrantWave

  • September 11th
    87 notes
    OH! Super Milk Chan (OH!スーパーミルクチャン, OH! Sūpā  Miruku-chan)
pcoolsongs:

perfectvillain:

Új háttérképem lett ez a fantasztika.
Remélem még jókor szóltam!

(via johnnychallenge, johnnychallenge)
OH! Super Milk Chan (OH!スーパーミルクチャン, OH! Sūpā  Miruku-chan)
pcoolsongs:

perfectvillain:

Új háttérképem lett ez a fantasztika.
Remélem még jókor szóltam!

(via johnnychallenge, johnnychallenge)

    OH! Super Milk Chan (OH!スーパーミルクチャン, OH! Sūpā Miruku-chan)

    pcoolsongs:

    perfectvillain:

    Új háttérképem lett ez a fantasztika.

    Remélem még jókor szóltam!

    (via johnnychallenge, johnnychallenge)

  • September 3rd
    19 notes
    Source
    From Edu Barba’s flickr.
monstermadeofeyes:

slabbb-blockkk-hilarious:

(via atamamushi, seeinggeometric)

From Edu Barba’s flickr.
monstermadeofeyes:

slabbb-blockkk-hilarious:

(via atamamushi, seeinggeometric)

    From Edu Barba’s flickr.

    monstermadeofeyes:

    slabbb-blockkk-hilarious:

    (via atamamushi, seeinggeometric)

  • August 26th
    480 notes
    Source
    I thought this was some weird photo, but apparently it’s photoshopped. Who knew?
monstermadeofeyes:

ematerial:

lesfauve:

(via drencrome, wordofcommand)


I thought this was some weird photo, but apparently it’s photoshopped. Who knew?
monstermadeofeyes:

ematerial:

lesfauve:

(via drencrome, wordofcommand)

    I thought this was some weird photo, but apparently it’s photoshopped. Who knew?

    monstermadeofeyes:

    ematerial:

    lesfauve:

    (via drencrome, wordofcommand)

  • August 25th
    99 notes
    Source
    proofmathisbeautiful:

fuckyeahmath:

(via thankyoufriends)

proofmathisbeautiful:

fuckyeahmath:

(via thankyoufriends)

    proofmathisbeautiful:

    fuckyeahmath:

    (via thankyoufriends)

  • August 13th
    124 notes
    Source
    Quote of truth.
physicsphysics:

thelonelyastronaut:

itsfullofstars:

mohandasgandhi:

Let’s go to Mars!



Quote of truth.
physicsphysics:

thelonelyastronaut:

itsfullofstars:

mohandasgandhi:

Let’s go to Mars!

    Quote of truth.

    physicsphysics:

    thelonelyastronaut:

    itsfullofstars:

    mohandasgandhi:

    Let’s go to Mars!

  • August 4th
    3 notes
    “Uphold science, eradicate superstition, 1999”

Chinese Space Program Posters
“Uphold science, eradicate superstition, 1999”

Chinese Space Program Posters

    “Uphold science, eradicate superstition, 1999”

    Chinese Space Program Posters

  • July 31st
    monstermadeofeyes:

ianultra:

[via]

monstermadeofeyes:

ianultra:

[via]

    monstermadeofeyes:

    ianultra:

    [via]

  • July 22nd
    18 notes
    Source
    unknownskywalker:

Shores of Orion   © Artur Rosa
unknownskywalker:

Shores of Orion   © Artur Rosa

    unknownskywalker:

    Shores of Orion  © Artur Rosa

  • July 20th
    106 notes
    Source
    unknownskywalker:

Mars - just add water  © Frieso J. Hoevelkamp
unknownskywalker:

Mars - just add water  © Frieso J. Hoevelkamp

    unknownskywalker:

    Mars - just add water © Frieso J. Hoevelkamp

  • July 18th
    197 notes
    Source
    fuckyeahmath:


In mathematics, an algebraic number is a complex number that is a root of a non-zero polynomial  in one variable with rational (or equivalently, integer)  coefficients.
Pictured above: Algebraic numbers colored by degree.

fuckyeahmath:


In mathematics, an algebraic number is a complex number that is a root of a non-zero polynomial  in one variable with rational (or equivalently, integer)  coefficients.
Pictured above: Algebraic numbers colored by degree.

    fuckyeahmath:

    In mathematics, an algebraic number is a complex number that is a root of a non-zero polynomial in one variable with rational (or equivalently, integer) coefficients.

    Pictured above: Algebraic numbers colored by degree.

1 2 3 4 5 Next Last Page
RSS Archive
Queries
Most recently updated subscriptions
  • sovietlove
  • newsweek
  • fuckyeahexistentialism
  • meganmcisaac
  • laughingsquid
  • comicbookcovers
  • dcwomenkickingass
  • doctorwho
  • scientificillustration
  • crookedindifference
  • fuckyeahnebulas
  • towerofsleep
  • fuckyeahsciencefiction
  • proofmathisbeautiful
  • whisperoftheshot
  • shesaw0lf
  • comicsalliance
  • garfieldminusgarfield
  • mariposima
  • brownpau
  • nerdology
  • dreamstates
  • warrenellis
  • theairtightgarage
  • bcellparty
  • bowiesongs
  • freshphotons
  • vortexanomaly
  • baturday
  • nevver
  • fuckyoudraculas
  • bonjourmadame
  • koolikeplastiic
  • physicsphysics
  • comicallyvintage
  • heller
  • quantumaniac
  • engineeringisawesome
  • timetravelswithoutamachine
  • uuiuu
  • uggly
  • monstermadeofeyes
  • solarflares
  • skyofthemind
  • iwdrm
  • spacerules
  • beaguedes
  • section5
  • ghostattack
  • scienceisbeauty
  • eirizu
  • momentofmoore
  • bookshelfporn
  • radio23
  • marnelucas
  • bitcoinnews
  • rarebasedswag
  • rustybreak
  • tesslynch
  • greggskloff
  • thebonemachine
  • throwtolion
  • leadingtone
  • yomamallama
  • coketalk
  • seanwitzke
  • moviesinframes
  • adsertoris
  • desjardins
  • wordbirds
  • totallygroovy
  • lacontessa
  • bourbonthret
  • photoincubator
  • thedailywhat
  • science
  • philnoto
  • kellyoxford
  • liana
  • dearcoquette
  • alexbalk
  • duded
  • xplanes
  • lazybookreviews
  • doomviaobjectfetish
  • kelseymccurdy
  • jsmooth995
  • outofcontextscience
  • mutationwaltz
  • nerdsruineverything
  • xn--c1h
  • drzzl
  • pismoblog
  • carlovely
  • diasporg
  • jonathanhaggard
  • splitstringregex
  • tomorrowtales
  • skiparound
  • ragbag
  • marijuana-abusing-flatworm
  • pixelfucks
  • drawnblog
  • fuckyeahmath
  • acepilots
  • evilmadlinks
  • albumtacos
  • sigmundhenry
  • phobos-romulus
  • santapau
  • onminimalism
  • singley-news
  • 14-billion-years-later
  • alrightmamadude
  • wearethe99percent
  • sugaratoms
  • freedolphinrides
  • plussedejuliedoucet
  • otomblr
  • fuckyeahquantummechanics
  • harmonicasemis
  • ksouth
  • fydomes
  • ririsilki
  • momentry
  • runningdive
  • ladymeng
  • fuckyeahbats
  • hatethefuture
  • youranonnews
  • perennial-dissonance
  • jaynawallace
  • bayanjargal
  • fantagor
  • bookshelves
  • powercomics
  • magneticsympathy
  • wondertonic
  • gifwatcher
  • steelweaver
  • byebyebutts
  • craftyacademy
  • blending
  • missing-e
  • alliedslump
  • thestrathconaartgallery
  • tentacular
  • julienfoulatier
  • differentkicks
  • fuckyeahphysics
  • danielwalsh
  • fuckyeahdioramas
  • leahxvx
  • harkavagrantfeed
  • apteryxrowi
  • oblivion-continuum
  • spidermanspiderman
  • fuckyeahnervoussystem
  • thisworldwemustleave
  • xtc
  • peoplewilldownload
  • salvaged
  • sheslostcontrol-again
  • obis
  • fractalart
  • redofromstart
  • gh0sting
  • bobjones
  • buttcoin
  • noisesmith
  • rovingmusicologist
  • wreellife
  • mindlessmadscientists
  • pcmuze
  • kathyack
  • mercenarywriters
  • barrymaurices